Artmaking as Learning

General Information
Grade Kindergarten, 1st Grade, 2nd Grade, 3rd Grade, 4th Grade, 5th Grade Class Length of Lesson Approximately 2 - 3 (40 - minute sessions)
Lesson Title Artmaking as Learning
Unit Title Artmaking as Message: Elizabeth Catlett
Unit Compelling Question

What is a message?
Where do messages come from?
Who sends messages?
Why do messages matter?
When can messages change?
How can messages be used to influence others?

Historical Context:

WHO: Elizabeth Catlett

WHEN: 1912 - 2012

WHAT: American Printmaker, Sculptor, and Educator

FAMOUS FOR: Artistic explorations of race, class, and expression of her own African American female identity.

IN HER OWN WORDS:
"I have always wanted my art to service my people.... We have to create an art for liberation and for life."

ARTIST'S HISTORY:
Catlett was born and raised in Washington, D.C., to parents working in education, and her grandparents were formerly enslaved people. Always interested in art, Catlett attended Howard University for undergraduate studies and then The University of Iowa for graduate school. She eventually moved to New York, then to Mexico City, where she was inspired by the city's experienced printmakers and muralists. Catlett embraced a socialist practice that would have been very controversial in Cold War-era America. Throughout her career, she not only made her own artworks but also was a practicing art educator and visual arts advocate.

IOWA CONNECTIONS:
In the late 1930s, Catlett studied drawing and painting with Grant Wood at The University of Iowa in Iowa City while obtaining a Master's of Fine Arts (MFA) degree. In 1940, she received one of the first MFA degrees in the nation and was the first African-American woman to do so. Based on her influence and achievements, The University of Iowa honored her legacy by naming its newest residence hall in her honor in 2017.

ARTIST'S WORK:
Drawing from personal memories and autobiographical sources, Catlett composed expressive portraits and sculptures that highlighted the intricacies of Black, particularly female, identity. Manual labor, historical struggles, and the civil rights movement were frequent themes in her artwork. She sought to humanize and dignify people who were often overlooked.

ARTIST'S WORLD:
At the beginning of Catlett's career, communities of learning and most civil activities were racially segregated in the United States. The Civil Rights Movement and the Cold War dominated the political landscape. In addition, the inclusion of women in not only higher education, but also art was rare, especially for a person of color.

Lesson Supporting Question
Lesson Overview

Students will learn about the life and influence of artist Elizabeth Catlett, who was the first black woman to receive an MFA, and her legacy in Iowa. Using Catlett’s artwork, Learning, 1948, as inspiration, students will discuss and analyze what it means to learn. Students will then create their own unique artwork depicting a memory of when they were learning. Finally, students will then either share with a peer and describe their artwork or write a descriptive paragraph to accompany the drawing.

Primary Sources Used
Artwork 2022.003.005
Resources Needed

Other Notable Artworks:  Sharecropper, 1952 Mother and Child, 1956 Red Leaves, 1978 Singing Their Songs, 1992 Online Resources (Used at Instructor's Discretion): VIDEO: Elizabeth Catlett Visionary Project Video Series  VIDEO: 2017 Art on Campus - "Totem" by Elizabeth Catlett VIDEO: Tyler C: Elizabeth Catlett, 'Sharecropper', 1952 | Articulation Prize 2022 PODCAST: An Alternative History of Art: Elizabeth Catlett Materials: Access to internet  Print/Copy/On Screen image of artwork Learning, 1948 Drawing media (pencils, colored pencils, markers, crayons)  Drawing paper (size as desired)


Standard
Lesson Target

Students will analyze and discuss the artwork and life of artist Elizabeth Catlett and her connections to The University of Iowa in Iowa City.;Students will use a variety of drawing media to depict and reflect upon a learning experience.

Lesson Themes African American Experience, Women's Experience, Civil Rights, Cultural Events, Visual Arts, Higher Education
Lesson Procedure
StepProcedureResources

 

Pre-Learning Looking  


 

Show artwork Learning, 1948. Using the compelling questions as a guide, discuss the artwork. Print/Copy of Learning, 1948.
Introduction of Elizabeth Catlett & Iowa ConnectionsIntroduce the work and life of Elizabeth Catlett. Discuss how Learning, 1948 is a lithograph, a special kind of artistic copy, a print, of an artwork.Historical Context and other resources desired (videos, podcasts).

 

Memory Brainstorm 


 

Using Learning, 1948 as inspiration, recall an instance in which they learned something. This could be a formal setting or informal setting, individual or group memory. Sketch out a few memories as necessary.Drawing materials, paper.
Memory MakingChoose a specific memory and draw the memory on the paper using the media provided.Drawing materials, paper.
Memory Sharing & LearningDepending on the grade level, share verbally as a group, with a peer, or write a descriptive paragraph about their drawing. Reflect upon what learning means and why it is important.Completed drawing, pencils, and writing paper.
Assessment
Formative Assessment
(How will you use the formative assessments to monitor and inform instruction?)

Discussion and potential sketches of learning memories.

Summative Assessment
(How does the lesson connect to planned summative assessment(s)?)

Completed drawing of a learning memory, verbal discussion, or written paragraph.

Author Information
Author Megan Dehner Created Last Edited
Reviewer: Teaching Iowa History Team
Lesson Plan Development Notes: Summer Fellowship 2022